Since the 1990s, a small network of artist-endowed foundations has expanded dramatically, now controlling roughly $9 billion in assets, according to new research collected by the Aspen Institute's ...
Amid the rise of the so-called “manosphere” of rampant online misogyny and pressures to perform palatable womanhood to a global audience via social media, is it time for a resurgence of feminist art?
Cady Noland, who became the darling of the art world, has tested the limits. By Julia Halperin T’s Art issue looks at the iconoclastic artists who have found power in saying no. “WHAT AM I looking at?
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